Trans-Screens of Gender and Jewishness in Jill Soloway's Transparent: Post-Network TV and the Screendance Scene

Hannah Schwadron

Abstract


This essay analyzes the artful insertion of screendance scenes in Season Two of Jill Soloway’s Amazon hit, Transparent (2014- ), highlighting how bodies and camera choreograph affective connections core to the plot in this televisual portrait of a Jewish American family. In doing so, I underscore a layered screenic trans-ness that conjoins circular manipulations of time and bodily action to overlay transgender and transhistorical experiences as co-constitutive themes.


Keywords


Trans-Screens; Transgenerational; Transhistorical; Gender; American Jewishness; Post-Network TV

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DOI: http://dx.doi.org/10.18061/ijsd.v10i0.6522

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