Paradigms of Movement Composition

Ami Skånberg Dahlstedt


My background is that of a dancer. Since childhood I have also been a storyteller. This made it difficult for me to understand why there had to be such a sharp line between dance and theater, between magic and realism, between movement and text. Is that line about to be erased?

Full Text:




  • There are currently no refbacks.

Copyright (c) 2014 Ami Skånberg Dahlstedt

Beginning with Volume 9 (2018), The International Journal of Screendance is published under a Creative Commons Attribution license unless otherwise indicated.

The International Journal of Screendance is published by The Ohio State University Libraries.

If you encounter problems with the site or have comments to offer, including any access difficulty due to incompatibility with adaptive technology, please contact    

ISSN: 2154-6878