The International Journal of Screendance
https://screendancejournal.org/
<p><em>The International Journal of Screendance</em> is an international, artist-led journal exploring the field of Screendance. It is the first-ever scholarly journal wholly dedicated to this growing area of worldwide interdisciplinary practice.</p><p><em>The International Journal of Screendance</em> will engage in rigorous critique grounded in both pre-existing and yet to be articulated methodologies from the fields of dance, performance, visual art, cinema and media arts, drawing on their practices, technologies, theories and philosophies. The Journal will provide a new frame through which Screendance will be examined in the context of contemporary cultural debates about interdisciplinarity, artistic agency, practice as theory, and curatorial practices.</p>The Ohio State University Librariesen-USThe International Journal of Screendance2154-6878<p>This Author Agreement for <em>The International Journal of Screendance</em> ("Agreement") is entered into by and between The Ohio State University, on behalf of its University Libraries ("Publisher") and the author ("Author"). </p> <p>For good and valuable consideration, Publisher and Author agree as follows:</p> <p>1. Author hereby grants to Publisher the right to publish, reproduce, distribute, translate, transmit and display his/her submitted work and an abstract thereof ("Work") in <em>The International Journal of Screendance</em> in whole or in part and in all formats and all media. Author also hereby grants to Publisher the right for Publisher to enter into agreements with third parties that grant such third parties any or all of the rights that Author has granted to Publisher herein. The aforementioned rights may include the rights necessary to index and abstract the Work. The Author agrees that any subsequent publication of the Work will credit <em>The International Journal of Screendance</em> as the site of first publication and provide a link to <em>The International Journal of Screendance</em> website. This Agreement is subject to the terms and expectations outlined on Publisher's website (<a href="http://go.osu.edu/publishing-services">http://go.osu.edu/publishing-services</a>).</p> <p>2. Author represents and warrants that: (1) they are the creator and rights holder of the Work; (2) Publisher's exercise of the rights granted to Publisher herein will not infringe or violate any copyright or any other right of a third party; (3) if the Work contains any third party content, they have obtained the unrestricted permission of the copyright owner or that use of third party material is allowed because the material is in the public domain or an appropriate fair use analysis has been performed and there is a reasonable belief that use is permitted and (4) the Work contains nothing libelous or otherwise unlawful. Author hereby agrees to indemnify and hold harmless Publisher and its trustees, officers, employees, agents, and subgrantees from all claims related to Publisher's exercise of the rights granted to Publisher herein or related to the subject matter covered in Author's representations and warranties.</p> <p><em>The International Journal of Screendance</em> is published under a Creative Commons Attribution 4.0 International license, to allow for certain types of reuse without permission. By submitting this agreement, the Author agrees to apply a CC BY 4.0 license to the Work upon publication.</p>IJSD Volume 12 2021 This Is Where We Dance Now: Covid-19 and the New and Next in Dance Onscreen: Full Issue
https://screendancejournal.org/article/view/8410
No abstract available.Harmony BenchAlexandra Harlig
Copyright (c) 2021 The International Journal of Screendance and the authors
2021-07-072021-07-071210.18061/ijsd.v12i0.8410Editorial: This Is Where We Dance Now
https://screendancejournal.org/article/view/8404
No abstract available.Harmony BenchAlexandra Harlig
Copyright (c) 2021 Harmony Bench, Alexandra Harlig
https://creativecommons.org/licenses/by/4.0
2021-07-072021-07-071210.18061/ijsd.v12i0.8404"Double-tap, 'That Was Really Dope'": A Conversation on Breaking on Instagram with Tsiambwom Akuchu and Alexandra Harlig
https://screendancejournal.org/article/view/8402
No abstract available.Tsiambwom AkuchuAlexandra Harlig
Copyright (c) 2021 Tsiambwom Akuchu, Alexandra Harlig
https://creativecommons.org/licenses/by/4.0
2021-07-072021-07-071210.18061/ijsd.v12i0.8402Screendance Festivals and Online Audiences
https://screendancejournal.org/article/view/8372
No abstract available.Harmony BenchGabri ChristaYolanda M. GuadarramaCara HaganKelly HargravesMarisa Hayes
Copyright (c) 2021 Harmony Bench, Gabri Christa, Yolanda M. Guadarrama, Cara Hagan, Kelly Hargraves, Marisa Hayes
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2021-07-072021-07-071210.18061/ijsd.v12i0.8372TikTok and Short-Form Screendance Before and After Covid
https://screendancejournal.org/article/view/8348
No abstract available.Alexandra HarligCrystal AbidinTrevor BoffoneKelly BowkerColette EloiPamela KrayenbuhlChuyun Oh
Copyright (c) 2021 Alexandra Harlig, Crystal Abidin, Trevor Boffone, Kelly Bowker, Colette Eloi, Pamela Krayenbuhl, Chuyun Oh
https://creativecommons.org/licenses/by/4.0
2021-07-072021-07-071210.18061/ijsd.v12i0.8348After Quarantine: The Future of Screendance
https://screendancejournal.org/article/view/8347
No abstract available.Omari 'Motion' CarterSandra MaduomaAntoine MarcVilma TihilAlice UnderwoodJames Williams
Copyright (c) 2021 Omari 'Motion' Carter, Sandra Maduoma, Antoine Marc, Vilma Tihilä, Alice Underwood, James Williams
https://creativecommons.org/licenses/by/4.0
2021-07-072021-07-071210.18061/ijsd.v12i0.8347Considering the Power of the Camera in a Post-Pandemic Era of Screendance
https://screendancejournal.org/article/view/8303
No abstract available.Kathryn Logan
Copyright (c) 2021 Kathryn Logan
https://creativecommons.org/licenses/by/4.0
2021-07-072021-07-071210.18061/ijsd.v12i0.8303TikTok, Friendship, and Sipping Tea, or How to Endure a Pandemic
https://screendancejournal.org/article/view/8238
No abstract available.Melissa Blanco Borellimadison moore
Copyright (c) 2021 Melissa Blanco Borelli, madison moore
https://creativecommons.org/licenses/by/4.0
2021-07-072021-07-071210.18061/ijsd.v12i0.8238Together We Dance: A Community Dance & Film Project Using Zoom to Combat Social Isolation for Seniors During Covid-19
https://screendancejournal.org/article/view/8230
No abstract available.Diane Busuttil
Copyright (c) 2021 Diane Busuttil
https://creativecommons.org/licenses/by/4.0
2021-07-072021-07-071210.18061/ijsd.v12i0.8230What Happens Next?
https://screendancejournal.org/article/view/8192
<p>No abstract available.</p>Omari 'Motion' Carter
Copyright (c) 2021 Omari 'Motion' Carter
https://creativecommons.org/licenses/by/4.0
2021-07-072021-07-071210.18061/ijsd.v12i0.8192A Provocation for Screendance as a Secular Space
https://screendancejournal.org/article/view/8173
<p>No abstract available.</p>Sumedha Bhattacharyya
Copyright (c) 2021 Sumedha Bhattacharyya
https://creativecommons.org/licenses/by/4.0
2021-07-072021-07-071210.18061/ijsd.v12i0.8173This is where we have danced for quite a while – A Viewpoint/Reflection on Social Media Dist(d)ancing
https://screendancejournal.org/article/view/8010
No abstract available.Elena Benthaus
Copyright (c) 2021 Elena Benthaus
https://creativecommons.org/licenses/by/4.0
2021-07-072021-07-071210.18061/ijsd.v12i0.8010IJSD Volume 11 2020 Expanded Screendance: Full Issue
https://screendancejournal.org/article/view/7977
No abstract available.Kyra NormanMarisa Zanotti
Copyright (c) 2020 The International Journal of Screendance and the authors
2020-10-302020-10-301210.18061/ijsd.v11i0.7977Review: Perpetual Motion: Dance, Digital Cultures, and the Common by Harmony Bench (2020)
https://screendancejournal.org/article/view/7970
<p><em>Perpetual Motion: Dance, Digital Cultures, and the Common</em> takes the reader on a journey through a collection of digital dance works that cumulatively reveal a rich, and ongoing, interplay between dance and digital media. Available for purchase as a book and as an open-access download, <em>Perpetual Motion</em> details an historical evolution of dance's engagement within shared digital media experiences, focusing on the period from 1996 to 2016. As a reader, I quickly found within these pages a personal connectivity and, in these isolating times, a renewed membership into the global, online corporeal community. With myriad works (re)discovered in each chapter, <em>Perpetual Motion</em> shows us the global impact dance and digital media have had upon each other through shared social relationships and interactions, both on- and off-screen.</p>Jaleea Price
Copyright (c) 2020 Jaleea Price
https://creativecommons.org/licenses/by/4.0
2020-10-302020-10-301210.18061/ijsd.v11i0.7970Evolving the field: Interviews with Naomi Macalalad Bragin and Cara Hagan
https://screendancejournal.org/article/view/7969
No abstract available.Douglas Rosenberg
Copyright (c) 2020 Douglas Rosenberg
https://creativecommons.org/licenses/by/4.0
2020-10-302020-10-301210.18061/ijsd.v11i0.7969