Pas de deux for Dancer and Camera in Maya Deren’s Films
DOI:
https://doi.org/10.18061/ijsd.v3i0.5708Abstract
No abstract available
This article was originally published by Parallel Press, an imprint of the University of Wisconsin-Madison Libraries, as part of The International Journal of Screendance, Volume 3 (2013), Parallel Press. It is made available here with the kind permission of Parallel Press.
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Copyright (c) 2013 Sarah Keller