[1]
Batiste, S.L. 2018. Intimate Visualities: Intimacy as Social Critique and Radical Possibility in Kyle Abraham and Carrie Schneider’s Dance Response Project’s I am Sold and Blood on the Leaves. The International Journal of Screendance. 9, (Jun. 2018). DOI:https://doi.org/10.18061/ijsd.v9i0.6400.