TSAI, Addie. Hybrid Texts, Assembled Bodies: Michel Gondry’s Merging of Camera and Dancer in "Let Forever Be". The International Journal of Screendance, [S. l.], v. 6, 2016. DOI: 10.18061/ijsd.v6i0.4892. Disponível em: https://screendancejournal.org/index.php/screendance/article/view/4892. Acesso em: 22 nov. 2024.