Browse Title Index

Issue Title
Vol 10 (2019) Trans-Screens of Gender and Jewishness in Jill Soloway's Transparent: Post-Network TV and the Screendance Scene Abstract   HTML   PDF
Hannah Schwadron
Vol 7 (2016) Trauma and Dissociation in All This Can Happen Abstract   HTML   PDF
Ross Morin
Vol 12 (2021) Two-way Mirrors: Dancing in the Zoomosphere Abstract   PDF
Siobhan Murphy
Vol 4 (2014) Understanding The “Dance” In Radical Screendance Abstract   PDF   HTML
Anna Heighway
Vol 6 (2016) Unexamined assumptions: A Conversation between Arabella Stanger and Simon Ellis Abstract   HTML   PDF
Arabella Stanger, Simon Ellis
Vol 2 (2012) Video and its Narcissistic Potential in Dance: Four Examples in Video Art and Experimental Film, Stage Dance, and Screendance Abstract   PDF
Claudia Rosiny
Vol 12 (2021) Virtual Democracy: Online Ballet and Contemporary Dance Classes During the Covid-19 Crisis Abstract   PDF
Dara Milovanovic
Vol 8 (2017) Visual Politics in American Dance Film: Representation and Disparity Abstract   HTML   PDF
Cara Hagan
Vol 11 (2020): Expanded Screendance Walking in the light: reflections on screendance in a time of pandemic Abstract   PDF
Katrina McPherson
Vol 7 (2016) Walking-Relations: On The Walk by Robert Walser and All This Can Happen by Siobhan Davies and David Hinton Abstract   HTML   PDF
Maren Butte
Vol 6 (2016) Watch films, watch dance films, watch more dance films Abstract   HTML   PDF
Katrina McPherson
Vol 6 (2016) What Are Screendance Competitions Even For? A Response to the 2015 Leeds International Film Festival Screendance Competition Abstract   HTML   PDF
Hamish MacPherson
Vol 10 (2019) What Are We Doing? Abstract   HTML   PDF
Douglas Rosenberg, Simon Ellis
Vol 12 (2021) What Happens Next? Abstract   HTML   PDF
Omari 'Motion' Carter
Vol 1 (2010) When Dance is Imagined In Cinema: Disclosure in Dance Practice Abstract   PDF
Marisa Zanotti
Vol 7 (2016) Within All This Can Happen: Artefact, Hypermediacy, and W. G. Sebald Abstract   HTML   PDF
Jürgen Simpson
Vol 11 (2020): Expanded Screendance Witness: a response to Marlene Millar's Witness Abstract   PDF
Anna Macdonald
Vol 3 (2013) Writing on the What Matters Festival, 11–15 April 2012 Abstract   PDF
Fiona Wright
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