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| Issue |
Title |
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| Vol 8 (2017) |
Intimate Encounters: Screendance and Surveillance |
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John White |
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| Vol 12 (2021) |
TikTok and Short-Form Screendance Before and After Covid |
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Alexandra Harlig, Crystal Abidin, Trevor Boffone, Kelly Bowker, Colette Eloi, Pamela Krayenbuhl, Chuyun Oh |
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| Vol 8 (2017) |
Screendance Self/portraits |
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Hetty Blades |
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| Vol 6 (2016) |
Screendance: Learning, Teaching, Living |
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Harmony Bench, Jason Bahling, Ben Estabrook, Natalie Gotter, Eric Nordstrom, Ellen Maynard |
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| Vol 1 (2010) |
Excavating Genres |
Abstract
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Douglas Rosenberg |
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| Vol 11 (2020): Expanded Screendance |
Editorial: Expanded Screendance |
Abstract
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Kyra Norman, Marisa Zanotti |
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| Vol 6 (2016) |
IJSD Volume 6 Editorial: Field Perceptions |
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Harmony Bench, Simon Ellis |
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| Vol 7 (2016) |
Postscript |
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Sarah Whatley |
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| Vol 7 (2016) |
Within All This Can Happen: Artefact, Hypermediacy, and W. G. Sebald |
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Jürgen Simpson |
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| Vol 9 (2018) |
Editorial: Screening the Skin: Issues of Race and Nation in Screendance |
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Melissa Blanco Borelli, Raquel Monroe |
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| Vol 5 (2015) |
Editors’ note: On Community, Collaboration, and Difference |
Abstract
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Harmony Bench, Simon Ellis |
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| Vol 8 (2017) |
Art in Motion: Current Research in Screendance edited by Franck Boulégue and Marisa C. Hayes, Cambridge Scholars Publishing |
Abstract
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Carol Breen |
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| Vol 10 (2019) |
Editorial: Screendance Now |
Abstract
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Harmony Bench, Simon Ellis |
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| Vol 6 (2016) |
Testing ground: evolving screendance practices and theories and the Leeds International Film Festival Screendance Competition |
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Kyra Norman |
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| Vol 5 (2015) |
Audience as Community: Corporeal Knowledge and Empathetic Viewing |
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Karen Wood |
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| Vol 10 (2019) |
Dance’s Duet with the Camera: Motion Pictures. Edited by Telory D. Arendell and Ruth Barnes. 2016. London: Palgrave MacMillan. 263 pp. Hardcover $99.99. ISBN 978-1-137-59609-3 |
Abstract
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Elisa Frasson |
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| Vol 6 (2016) |
What Are Screendance Competitions Even For? A Response to the 2015 Leeds International Film Festival Screendance Competition |
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Hamish MacPherson |
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| Vol 8 (2017) |
The Oxford Handbook of Screendance Studies edited by Douglas Rosenberg. 2016. New York: Oxford UP |
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Katja Vaghi |
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| Vol 10 (2019) |
Charles Atlas. Edited by Lauren Wittels. Contributions by Charles Atlas, with the assistance of Johanna Fateman, Stuart Comer, Douglas Crimp, Douglas Dunn, Lia Gangitano. 2015. Munich, New York: Prestel, 303 pp, chiefly color screen stills. $75 hardcover. ISBN: 9783791381008 |
Abstract
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Kyle Bukhari |
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| Vol 5 (2015) |
Global Corporeality: Collaborative Choreography in Digital Space |
Abstract
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Joséphine A. Garibaldi, Paul Zmolek |
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| Vol 8 (2017) |
Starting with Sight: A Conversation between Rosemary Lee and Anna Heighway |
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Rosemary Lee, Anna Heighway |
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| Vol 11 (2020): Expanded Screendance |
Walking in the light: reflections on screendance in a time of pandemic |
Abstract
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Katrina McPherson |
| |
| Vol 6 (2016) |
Watch films, watch dance films, watch more dance films |
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Katrina McPherson |
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| Vol 11 (2020): Expanded Screendance |
Reflections on Regards Hybrides, an International Forum (2019, Second Edition) |
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Douglas Rosenberg |
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| Vol 6 (2016) |
Hybrid Texts, Assembled Bodies: Michel Gondry's Merging of Camera and Dancer in "Let Forever Be" |
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Addie Tsai |
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