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| Issue |
Title |
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| Vol 10 (2019) |
Editorial: Screendance Now |
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Harmony Bench, Simon Ellis |
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| Vol 6 (2016) |
Testing ground: evolving screendance practices and theories and the Leeds International Film Festival Screendance Competition |
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Kyra Norman |
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| Vol 5 (2015) |
Audience as Community: Corporeal Knowledge and Empathetic Viewing |
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Karen Wood |
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| Vol 10 (2019) |
Dance’s Duet with the Camera: Motion Pictures. Edited by Telory D. Arendell and Ruth Barnes. 2016. London: Palgrave MacMillan. 263 pp. Hardcover $99.99. ISBN 978-1-137-59609-3 |
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Elisa Frasson |
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| Vol 6 (2016) |
What Are Screendance Competitions Even For? A Response to the 2015 Leeds International Film Festival Screendance Competition |
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Hamish MacPherson |
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| Vol 9 (2018) |
Scratching the surface of spectacle: Black hypermasculinity and the Television Talent Show |
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Laura Helen Carol Robinson |
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| Vol 10 (2019) |
Charles Atlas. Edited by Lauren Wittels. Contributions by Charles Atlas, with the assistance of Johanna Fateman, Stuart Comer, Douglas Crimp, Douglas Dunn, Lia Gangitano. 2015. Munich, New York: Prestel, 303 pp, chiefly color screen stills. $75 hardcover. ISBN: 9783791381008 |
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Kyle Bukhari |
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| Vol 5 (2015) |
Global Corporeality: Collaborative Choreography in Digital Space |
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Joséphine A. Garibaldi, Paul Zmolek |
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| Vol 8 (2017) |
Starting with Sight: A Conversation between Rosemary Lee and Anna Heighway |
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Rosemary Lee, Anna Heighway |
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| Vol 6 (2016) |
Watch films, watch dance films, watch more dance films |
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Katrina McPherson |
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| Vol 6 (2016) |
Hybrid Texts, Assembled Bodies: Michel Gondry's Merging of Camera and Dancer in "Let Forever Be" |
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Addie Tsai |
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| Vol 8 (2017) |
Going Nowhere: Screendance and the Time of Dying |
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Anna Macdonald |
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| Vol 5 (2015) |
Review: The Oxford Handbook of Dance and the Popular Screen, edited by Melissa Blanco Borelli |
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Hetty Blades |
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| Vol 8 (2017) |
Dance on Camera at 45 |
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Harmony Bench |
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| Vol 8 (2017) |
The Oxford Handbook of Screendance Studies edited by Douglas Rosenberg. 2016. New York: Oxford UP |
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Katja Vaghi |
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| Vol 9 (2018) |
IJSD Volume 9 2018 Screening the Skin: Issues of Race and Nation in Screendance Full Issue |
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Melissa Blanco Borelli, Raquel Monroe, Harmony Bench, Simon Ellis |
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| Vol 8 (2017) |
Visual Politics in American Dance Film: Representation and Disparity |
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Cara Hagan |
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| Vol 10 (2019) |
How Screendance Was Invented While We Were Busy Claiming It Wasn’t |
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Katja Vaghi |
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| Vol 5 (2015) |
Full Issue |
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Harmony Bench |
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| Vol 1 (2010) |
The International Journal of Screendance 2010 |
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Douglas Rosenberg |
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| Vol 4 (2014) |
Full Issue |
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Harmony Bench |
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| Vol 6 (2016) |
Imagined Archaeology and Enlivening the Proximate Senses in the construction of Blind Torrent – An Interdisciplinary Screendance Project |
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Ruth Margaret Way, Russell James Frampton |
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