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| Issue |
Title |
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| Vol 9 (2018) |
Scratching the surface of spectacle: Black hypermasculinity and the Television Talent Show |
Abstract
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Laura Helen Carol Robinson |
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| Vol 8 (2017) |
Intimate Encounters: Screendance and Surveillance |
Abstract
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John White |
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| Vol 8 (2017) |
Screendance Self/portraits |
Abstract
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Hetty Blades |
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| Vol 6 (2016) |
Screendance: Learning, Teaching, Living |
Abstract
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Harmony Bench, Jason Bahling, Ben Estabrook, Natalie Gotter, Eric Nordstrom, Ellen Maynard |
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| Vol 1 (2010) |
Excavating Genres |
Abstract
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Douglas Rosenberg |
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| Vol 11 (2020): Expanded Screendance |
Editorial: Expanded Screendance |
Abstract
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Kyra Norman, Marisa Zanotti |
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| Vol 6 (2016) |
IJSD Volume 6 Editorial: Field Perceptions |
Abstract
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Harmony Bench, Simon Ellis |
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| Vol 11 (2020): Expanded Screendance |
Walking in the light: reflections on screendance in a time of pandemic |
Abstract
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Katrina McPherson |
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| Vol 6 (2016) |
Watch films, watch dance films, watch more dance films |
Abstract
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Katrina McPherson |
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| Vol 11 (2020): Expanded Screendance |
Reflections on Regards Hybrides, an International Forum (2019, Second Edition) |
Abstract
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Douglas Rosenberg |
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| Vol 6 (2016) |
Hybrid Texts, Assembled Bodies: Michel Gondry's Merging of Camera and Dancer in "Let Forever Be" |
Abstract
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Addie Tsai |
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| Vol 11 (2020): Expanded Screendance |
Navigating Hyperrealities: Tamil Film (Kollywood) Choreography as Screen Dance |
Abstract
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Sandhiya Kalyanasundaram |
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| Vol 8 (2017) |
Going Nowhere: Screendance and the Time of Dying |
Abstract
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Anna Macdonald |
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| Vol 5 (2015) |
Review: The Oxford Handbook of Dance and the Popular Screen, edited by Melissa Blanco Borelli |
Abstract
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Hetty Blades |
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| Vol 8 (2017) |
Dance on Camera at 45 |
Abstract
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Harmony Bench |
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| Vol 8 (2017) |
The Oxford Handbook of Screendance Studies edited by Douglas Rosenberg. 2016. New York: Oxford UP |
Abstract
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Katja Vaghi |
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| Vol 10 (2019) |
Charles Atlas. Edited by Lauren Wittels. Contributions by Charles Atlas, with the assistance of Johanna Fateman, Stuart Comer, Douglas Crimp, Douglas Dunn, Lia Gangitano. 2015. Munich, New York: Prestel, 303 pp, chiefly color screen stills. $75 hardcover. ISBN: 9783791381008 |
Abstract
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Kyle Bukhari |
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| Vol 5 (2015) |
Global Corporeality: Collaborative Choreography in Digital Space |
Abstract
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Joséphine A. Garibaldi, Paul Zmolek |
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| Vol 8 (2017) |
Starting with Sight: A Conversation between Rosemary Lee and Anna Heighway |
Abstract
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Rosemary Lee, Anna Heighway |
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| Vol 9 (2018) |
IJSD Volume 9 2018 Screening the Skin: Issues of Race and Nation in Screendance Full Issue |
Abstract
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Melissa Blanco Borelli, Raquel Monroe, Harmony Bench, Simon Ellis |
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| Vol 8 (2017) |
Visual Politics in American Dance Film: Representation and Disparity |
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Cara Hagan |
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| Vol 11 (2020): Expanded Screendance |
Evolving the field: Interviews with Naomi Macalalad Bragin and Cara Hagan |
Abstract
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Douglas Rosenberg |
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| Vol 11 (2020): Expanded Screendance |
Screendance Narratives from around the Mediterranean Sea |
Abstract
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Ariadne Mikou |
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| Vol 4 (2014) |
Full Issue |
Abstract
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Harmony Bench |
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| Vol 6 (2016) |
Imagined Archaeology and Enlivening the Proximate Senses in the construction of Blind Torrent – An Interdisciplinary Screendance Project |
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Ruth Margaret Way, Russell James Frampton |
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