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| Issue |
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| Vol 8 (2017) |
Dance on Camera at 45 |
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Harmony Bench |
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| Vol 8 (2017) |
The Oxford Handbook of Screendance Studies edited by Douglas Rosenberg. 2016. New York: Oxford UP |
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Katja Vaghi |
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| Vol 10 (2019) |
Charles Atlas. Edited by Lauren Wittels. Contributions by Charles Atlas, with the assistance of Johanna Fateman, Stuart Comer, Douglas Crimp, Douglas Dunn, Lia Gangitano. 2015. Munich, New York: Prestel, 303 pp, chiefly color screen stills. $75 hardcover. ISBN: 9783791381008 |
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Kyle Bukhari |
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| Vol 5 (2015) |
Global Corporeality: Collaborative Choreography in Digital Space |
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Joséphine A. Garibaldi, Paul Zmolek |
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| Vol 9 (2018) |
IJSD Volume 9 2018 Screening the Skin: Issues of Race and Nation in Screendance Full Issue |
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Melissa Blanco Borelli, Raquel Monroe, Harmony Bench, Simon Ellis |
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| Vol 8 (2017) |
Visual Politics in American Dance Film: Representation and Disparity |
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Cara Hagan |
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| Vol 12 (2021) |
After Quarantine: The Future of Screendance |
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Omari 'Motion' Carter, Sandra Maduoma, Antoine Marc, Vilma Tihilä, Alice Underwood, James Williams |
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| Vol 11 (2020): Expanded Screendance |
Evolving the field: Interviews with Naomi Macalalad Bragin and Cara Hagan |
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Douglas Rosenberg |
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| Vol 11 (2020): Expanded Screendance |
Screendance Narratives from around the Mediterranean Sea |
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Ariadne Mikou |
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| Vol 5 (2015) |
Full Issue |
Abstract
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Harmony Bench |
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| Vol 1 (2010) |
The International Journal of Screendance 2010 |
Abstract
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Douglas Rosenberg |
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| Vol 4 (2014) |
Full Issue |
Abstract
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Harmony Bench |
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| Vol 6 (2016) |
Imagined Archaeology and Enlivening the Proximate Senses in the construction of Blind Torrent – An Interdisciplinary Screendance Project |
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Ruth Margaret Way, Russell James Frampton |
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| Vol 12 (2021) |
A Provocation for Screendance as a Secular Space |
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Sumedha Bhattacharyya |
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| Vol 11 (2020): Expanded Screendance |
Witness: a response to Marlene Millar's Witness |
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Anna Macdonald |
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| Vol 12 (2021) |
TOM: A review |
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Jo Cork |
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| Vol 10 (2019) |
How Screendance Was Invented While We Were Busy Claiming It Wasn’t |
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Katja Vaghi |
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