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Issue |
Title |
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Vol 7 (2016) |
Breaths, Falls, and Eddies in All This Can Happen: A Dialogue |
Abstract
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Erin Brannigan, Cleo Mees |
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Vol 10 (2019) |
Charles Atlas. Edited by Lauren Wittels. Contributions by Charles Atlas, with the assistance of Johanna Fateman, Stuart Comer, Douglas Crimp, Douglas Dunn, Lia Gangitano. 2015. Munich, New York: Prestel, 303 pp, chiefly color screen stills. $75 hardcover. ISBN: 9783791381008 |
Abstract
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PDF
|
Kyle Bukhari |
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Vol 9 (2018) |
Choreographing “ChinAfrica” through Transnational Encounter |
Abstract
HTML
PDF
|
Jingqiu Guan |
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Vol 2 (2012) |
Cinema Has Not Yet Been Invented: Lecture by Ian Christie |
Abstract
PDF
|
Claudia Kappenberg |
|
Vol 10 (2019) |
Consuming Dance: Choreography and Advertising by Colleen Dunagan. 2018. Oxford: Oxford University Press. 264 pp.48 screen stills. Paperback $29.95. Hardcover $99.00. ISBN: 9780190491376 |
Abstract
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|
Xiomara Forbez |
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Vol 4 (2014) |
Conversation with Boxing Gloves Between Chamecki and Lerner |
Abstract
PDF
HTML
|
Cristiane Bouger |
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Vol 5 (2015) |
Crowd-Sourced Filmmaking: Despair is Your Friend |
Abstract
HTML
PDF
|
Mitchell Rose |
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Vol 9 (2018) |
Curatorial Practices for Intersectional Programming |
Abstract
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PDF
|
Cara Hagan |
|
Vol 4 (2014) |
Cutting across the century: an investigation of the close up and the long-shot in “cine choreography” since the invention of the camera |
Abstract
PDF
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|
Katy Pendlebury |
|
Vol 1 (2010) |
Cutting Rhythms: A New Perspective on the Rhythmic and Choreographic Nuances of the Edit |
Abstract
PDF
|
Cari Ann Shim Sham* |
|
Vol 8 (2017) |
Dance on Camera at 45 |
Abstract
HTML
PDF
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Harmony Bench |
|
Vol 10 (2019) |
Dance’s Duet with the Camera: Motion Pictures. Edited by Telory D. Arendell and Ruth Barnes. 2016. London: Palgrave MacMillan. 263 pp. Hardcover $99.99. ISBN 978-1-137-59609-3 |
Abstract
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Elisa Frasson |
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Vol 9 (2018) |
Danced Out: When Passing For Almost Straight Is Not Enough |
Abstract
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Mark Broomfield |
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Vol 3 (2013) |
Dancing Bodies, Moving Images: An Exhibition of Installed Works at Summer Dancing, Coventry, UK, June 2012 |
Abstract
PDF
|
Andrea Barzey, Polly Hudson |
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Vol 2 (2012) |
Dancing in Music Videos, or How I Learned to Dance Like Janet . . . Miss Jackson |
Abstract
PDF
|
Melissa Blanco Borelli |
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Vol 2 (2012) |
Delayed Reactions |
Abstract
PDF
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Kyra Norman |
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Vol 10 (2019) |
Digital Dance Criticism: Screens as Choreographic Apparatus |
Abstract
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|
Kate Mattingly |
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Vol 10 (2019) |
Digital Spaces, Analogue Thinking: Some Thoughts on Screendance |
Abstract
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Marisa Zanotti |
|
Vol 9 (2018) |
Dis/Orientation: Rhythmic Bodies and Corporeal Orature in The Fits |
Abstract
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PDF
|
Elena Benthaus |
|
Vol 4 (2014) |
Editorial |
Abstract
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Douglas Rosenberg, Claudia Kappenberg |
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Vol 11 (2020): Expanded Screendance |
Editorial: Expanded Screendance |
Abstract
PDF
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Kyra Norman, Marisa Zanotti |
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Vol 2 (2012) |
Editorial: Scaffolding the Medium |
Abstract
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Claudia Kappenberg, Douglas Rosenberg |
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Vol 10 (2019) |
Editorial: Screendance Now |
Abstract
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Harmony Bench, Simon Ellis |
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Vol 9 (2018) |
Editorial: Screening the Skin: Issues of Race and Nation in Screendance |
Abstract
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Melissa Blanco Borelli, Raquel Monroe |
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Vol 5 (2015) |
Editors’ note: On Community, Collaboration, and Difference |
Abstract
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Harmony Bench, Simon Ellis |
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