|
Issue |
Title |
|
Vol 3 (2013) |
Epilogue: After Deren |
Abstract
PDF
|
Elinor Cleghorn |
|
Vol 11 (2020): Expanded Screendance |
Evolving the field: Interviews with Naomi Macalalad Bragin and Cara Hagan |
Abstract
PDF
|
Douglas Rosenberg |
|
Vol 1 (2010) |
Excavating Genres |
Abstract
PDF
|
Douglas Rosenberg |
|
Vol 1 (2010) |
F a l l i n g . . . on screen. |
Abstract
PDF
|
Ann Cooper Albright |
|
Vol 4 (2014) |
Faces, Close-ups and Choreography: A Deleuzian Critique of So You Think You Can Dance |
Abstract
PDF
HTML
|
Sherril Dodds, Colleen Hooper |
|
Vol 2 (2012) |
Falling, again |
Abstract
PDF
|
Pia Ednie-Brown |
|
Vol 2 (2012) |
Falling into the Surface (toward a materiality of affect) |
Abstract
PDF
|
Pia Ednie-Brown |
|
Vol 3 (2013) |
Film as Poetry |
Abstract
PDF
|
Claudia Kappenberg |
|
Vol 2 (2012) |
Finding the Turn |
Abstract
PDF
|
Lucy Cash |
|
Vol 4 (2014) |
Fleshing the Interface |
Abstract
PDF
HTML
|
Dianne Reid |
|
Vol 9 (2018) |
"Fresher Than You": Commercial Use of YouTube-Native Dance and Videographic Techniques |
Abstract
HTML
PDF
|
Alexandra Harlig |
|
Vol 4 (2014) |
From the Editors |
Details
PDF
|
Douglas Rosenberg, Cludia Kappenberg |
|
Vol 4 (2014) |
From the Editors |
Abstract
PDF
HTML
|
Douglas Rosenberg, Claudia Kappenberg |
|
Vol 4 (2014) |
From the Incoming Editors |
Abstract
PDF
HTML
|
Harmony Bench, Simon K. Ellis |
|
Vol 10 (2019) |
From the Incoming Editors |
Abstract
HTML
PDF
|
Kyra Norman, Marisa Zanotti |
|
Vol 4 (2014) |
Full Issue |
Abstract
PDF
|
Harmony Bench |
|
Vol 5 (2015) |
Full Issue |
Abstract
PDF
|
Harmony Bench |
|
Vol 6 (2016) |
Ghanaian Screendance Perspectives: The Nuance of ‘Sankofaism’ as Emerging Aesthetics and Rejection of Orthodoxy |
Abstract
HTML
PDF
|
Samuel Benagr, Terry B.K. Ofosu |
|
Vol 2 (2012) |
Giving Up the World for an Image |
Abstract
PDF
|
Augusto Corrieri |
|
Vol 5 (2015) |
Global Corporeality: Collaborative Choreography in Digital Space |
Abstract
HTML
PDF
|
Joséphine A. Garibaldi, Paul Zmolek |
|
Vol 8 (2017) |
Going Nowhere: Screendance and the Time of Dying |
Abstract
HTML
PDF
|
Anna Macdonald |
|
Vol 5 (2015) |
Hovering on Screen: The WOW-Affect and Fan Communities of Affective Spectatorship on So You Think You Can Dance |
Abstract
HTML
PDF
|
Elena Benthaus |
|
Vol 10 (2019) |
How Screendance Was Invented While We Were Busy Claiming It Wasn’t |
Abstract
HTML
PDF
|
Katja Vaghi |
|
Vol 6 (2016) |
Hybrid Texts, Assembled Bodies: Michel Gondry's Merging of Camera and Dancer in "Let Forever Be" |
Abstract
HTML
PDF
|
Addie Tsai |
|
Vol 3 (2013) |
If I can’t dance, it’s not my revolution!: Tracing the Revolutions of Maya Deren’s Dance in Jane Campion’s In the Cut |
Abstract
PDF
|
Sophia Mayer |
|
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