|
Issue |
Title |
|
Vol 10 (2019) |
IJSD Volume 10 2019 Screendance Now: Full Issue |
Abstract
PDF
|
Harmony Bench, Simon Ellis |
|
Vol 11 (2020): Expanded Screendance |
IJSD Volume 11 2020 Expanded Screendance: Full Issue |
Abstract
PDF
|
Kyra Norman, Marisa Zanotti |
|
Vol 2 (2012) |
IJSD Volume 2 2012 Scaffolding the Medium |
Abstract
PDF
|
Claudia Kappenberg, Douglas Rosenberg |
|
Vol 3 (2013) |
IJSD Volume 3 2013 After Deren: Full Issue |
Abstract
PDF
|
Claudia Kappenberg, Doug Rosenberg |
|
Vol 6 (2016) |
IJSD Volume 6 2016 Field Perceptions: Full Issue |
Abstract
PDF
|
Harmony Bench, Simon Ellis |
|
Vol 6 (2016) |
IJSD Volume 6 Editorial: Field Perceptions |
Abstract
HTML
PDF
|
Harmony Bench, Simon Ellis |
|
Vol 7 (2016) |
IJSD Volume 7 2016 All This: Full Issue |
Abstract
PDF
|
Claudia Kappenberg, Sarah Whatley, Harmony Bench, Simon Ellis |
|
Vol 8 (2017) |
IJSD Volume 8 2017 Solo/Screen: Full Issue |
Abstract
PDF
|
Harmony Bench, Simon Ellis |
|
Vol 8 (2017) |
IJSD Volume 8 Editorial: Solo/Screen |
Abstract
HTML
PDF
|
Harmony Bench, Simon Ellis |
|
Vol 9 (2018) |
IJSD Volume 9 2018 Screening the Skin: Issues of Race and Nation in Screendance Full Issue |
Abstract
PDF
|
Melissa Blanco Borelli, Raquel Monroe, Harmony Bench, Simon Ellis |
|
Vol 6 (2016) |
Imagined Archaeology and Enlivening the Proximate Senses in the construction of Blind Torrent – An Interdisciplinary Screendance Project |
Abstract
HTML
PDF
|
Ruth Margaret Way, Russell James Frampton |
|
Vol 1 (2010) |
In and Out of Place: Site-based Screendance |
Abstract
PDF
|
Kyra Norman |
|
Vol 5 (2015) |
In the Forest Between Us |
Abstract
HTML
PDF
|
Lucy Cash |
|
Vol 8 (2017) |
Influences |
Abstract
HTML
PDF
|
Tracie Mitchell |
|
Vol 8 (2017) |
Intimate Encounters: Screendance and Surveillance |
Abstract
HTML
PDF
|
John White |
|
Vol 9 (2018) |
Intimate Visualities: Intimacy as Social Critique and Radical Possibility in Kyle Abraham and Carrie Schneider's Dance Response Project's I am Sold and Blood on the Leaves |
Abstract
HTML
PDF
|
Stephanie Leigh Batiste |
|
Vol 2 (2012) |
Introduction to the Films |
Abstract
PDF
|
Maya Deren |
|
Vol 2 (2012) |
Introduction: Amelia Jones |
Abstract
PDF
|
Harmony Bench |
|
Vol 2 (2012) |
Introduction: Rosalind Krauss |
Abstract
PDF
|
Douglas Rosenberg |
|
Vol 1 (2010) |
La Escritura Perpleja. Hacia Un Posible Uncuentro Entre Crítica Y Videodanza |
Abstract
PDF
|
Susana Temperley |
|
Vol 9 (2018) |
Magic Mike, Dirty Dancing, and the (Empty) Promise of Heteromasculinity |
Abstract
HTML
PDF
|
Addie Tsai |
|
Vol 2 (2012) |
making things visible |
Abstract
PDF
|
Dianne Reid |
|
Vol 10 (2019) |
Making Video Dance: A Step-by-Step Guide to Creating Dance for the Screen (2nd ed), by Katrina McPherson. 2018. London and New York: Routledge. 280 pp. Black and white images. $120 hardcover. ISBN 978-1-13-869912-0. $31.96 paperback. ISBN 978-1-13-869913-7. Website: www.makingvideodance.com. |
Abstract
HTML
PDF
|
Robin Gee |
|
Vol 2 (2012) |
Manus Operandi: Film, Sculpture, Choreography |
Abstract
PDF
|
Elinor Cleghorn |
|
Vol 3 (2013) |
Maya Deren: A Prologue |
Abstract
PDF
|
Harmony Bench |
|
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