|
Issue |
Title |
|
Vol 2 (2012) |
Mobile Media Performances as Asynchronous Embodiment |
Abstract
PDF
|
Jason Farman |
|
Vol 5 (2015) |
Mobilizing Subjectivity: An Interview with Victoria Marks |
Abstract
HTML
PDF
|
Victoria Marks, Harmony Bench |
|
Vol 8 (2017) |
Movements of Media in Yvonne Rainer's Hand Movie (1966) and Richard Serra's Hand Catching Lead (1968) |
Abstract
HTML
PDF
|
Kyle Bukhari |
|
Vol 2 (2012) |
Moving Across Time with Words: Toward An Etymology of Screendance |
Abstract
PDF
|
Ann Dils |
|
Vol 10 (2019) |
Mr. Gaga: Embodying the Exceptionalism of Ohad Naharin |
Abstract
HTML
PDF
|
Meghan Quinlan |
|
Vol 7 (2016) |
Mundane: Thinking through All This Can Happen |
Abstract
HTML
PDF
|
Gareth Evans |
|
Vol 9 (2018) |
Narrative Shifts: Race, Culture, and the Production of Screendance |
Abstract
HTML
PDF
|
Marcus R White |
|
Vol 11 (2020): Expanded Screendance |
Navigating Hyperrealities: Tamil Film (Kollywood) Choreography as Screen Dance |
Abstract
PDF
|
Sandhiya Kalyanasundaram |
|
Vol 6 (2016) |
New Materials: Natural Elements and the Body in Screendance |
Abstract
HTML
PDF
|
Sylvie Michelle Vitaglione |
|
Vol 2 (2012) |
Notation Score as Embodied Documentary Presence: A Response to Amelia Jones's "'Presence' in Absentia" |
Abstract
PDF
|
Hannah Kosstrin |
|
Vol 2 (2012) |
Notes on Filming Dance |
Abstract
PDF
|
Adam Roberts |
|
Vol 7 (2016) |
On All This Can Happen |
Abstract
HTML
PDF
|
Claudia Kappenberg |
|
Vol 3 (2013) |
On Collaboration and Interdisciplinarity: Meshes of the Afternoon |
Abstract
PDF
|
Andrew James |
|
Vol 10 (2019) |
On Watching Screendance |
Abstract
HTML
PDF
|
Sherril Dodds |
|
Vol 4 (2014) |
Paradigms of Movement Composition |
Abstract
PDF
HTML
|
Ami Skånberg Dahlstedt |
|
Vol 3 (2013) |
Pas de deux for Dancer and Camera in Maya Deren’s Films |
Abstract
PDF
|
Sarah Keller |
|
Vol 10 (2019) |
Pathways, Histories, and ScreenDance Diaries: Sarah Elgart in Conversation |
Abstract
HTML
PDF
|
Sarah Elgart, Harmony Bench |
|
Vol 1 (2010) |
Perplexed Writing: Towards a Possible Encounter between Criticism and Videodance |
Abstract
PDF
|
Susana Temperley |
|
Vol 4 (2014) |
Poetic Phenomenology in Thierry De Mey's Screendances: Open Corporealities, Responsive Spaces, and Embodied Experiences |
Abstract
PDF
HTML
|
Sophie Walon |
|
Vol 7 (2016) |
Postscript |
Abstract
HTML
PDF
|
Sarah Whatley |
|
Vol 10 (2019) |
Red Shoes |
Abstract
HTML
PDF
|
Erin Brannigan |
|
Vol 10 (2019) |
Reflecting on Light Moves Festival of Screendance 2018 |
Abstract
HTML
PDF
|
Katrina McPherson |
|
Vol 2 (2012) |
Reflections on Heidegger: Performing Translations in Active Space Environments |
Abstract
PDF
|
Lisa Naugle, John Crawford |
|
Vol 11 (2020): Expanded Screendance |
Reflections on Regards Hybrides, an International Forum (2019, Second Edition) |
Abstract
PDF
|
Douglas Rosenberg |
|
Vol 4 (2014) |
Review and Discussion of The Co(te)lette Film |
Abstract
PDF
HTML
|
Priscilla Guy |
|
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