|
Issue |
Title |
|
Vol 5 (2015) |
Transauthorial Screendance: Stravinsky’s Exquisite Corpse, or Brief Notes on Creating an International Omnibus Project |
Abstract
HTML
PDF
|
Marisa C. Hayes |
|
Vol 10 (2019) |
Trans-Screens of Gender and Jewishness in Jill Soloway's Transparent: Post-Network TV and the Screendance Scene |
Abstract
HTML
PDF
|
Hannah Schwadron |
|
Vol 7 (2016) |
Trauma and Dissociation in All This Can Happen |
Abstract
HTML
PDF
|
Ross Morin |
|
Vol 4 (2014) |
Understanding The “Dance” In Radical Screendance |
Abstract
PDF
HTML
|
Anna Heighway |
|
Vol 6 (2016) |
Unexamined assumptions: A Conversation between Arabella Stanger and Simon Ellis |
Abstract
HTML
PDF
|
Arabella Stanger, Simon Ellis |
|
Vol 2 (2012) |
Video and its Narcissistic Potential in Dance: Four Examples in Video Art and Experimental Film, Stage Dance, and Screendance |
Abstract
PDF
|
Claudia Rosiny |
|
Vol 8 (2017) |
Visual Politics in American Dance Film: Representation and Disparity |
Abstract
HTML
PDF
|
Cara Hagan |
|
Vol 11 (2020): Expanded Screendance |
Walking in the light: reflections on screendance in a time of pandemic |
Abstract
PDF
|
Katrina McPherson |
|
Vol 7 (2016) |
Walking-Relations: On The Walk by Robert Walser and All This Can Happen by Siobhan Davies and David Hinton |
Abstract
HTML
PDF
|
Maren Butte |
|
Vol 6 (2016) |
Watch films, watch dance films, watch more dance films |
Abstract
HTML
PDF
|
Katrina McPherson |
|
Vol 6 (2016) |
What Are Screendance Competitions Even For? A Response to the 2015 Leeds International Film Festival Screendance Competition |
Abstract
HTML
PDF
|
Hamish MacPherson |
|
Vol 10 (2019) |
What Are We Doing? |
Abstract
HTML
PDF
|
Douglas Rosenberg, Simon Ellis |
|
Vol 1 (2010) |
When Dance is Imagined In Cinema: Disclosure in Dance Practice |
Abstract
PDF
|
Marisa Zanotti |
|
Vol 7 (2016) |
Within All This Can Happen: Artefact, Hypermediacy, and W. G. Sebald |
Abstract
HTML
PDF
|
Jürgen Simpson |
|
Vol 11 (2020): Expanded Screendance |
Witness: a response to Marlene Millar's Witness |
Abstract
PDF
|
Anna Macdonald |
|
Vol 3 (2013) |
Writing on the What Matters Festival, 11–15 April 2012 |
Abstract
PDF
|
Fiona Wright |
|
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