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| Issue |
Title |
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| Vol 12 (2021) |
Editorial: This Is Where We Dance Now |
Abstract
PDF
|
|
Harmony Bench, Alexandra Harlig |
| |
| Vol 2 (2012) |
IJSD Volume 2 2012 Scaffolding the Medium |
Abstract
PDF
|
|
Claudia Kappenberg, Douglas Rosenberg |
| |
| Vol 7 (2016) |
IJSD Volume 7 2016 All This: Full Issue |
Abstract
PDF
|
|
Claudia Kappenberg, Sarah Whatley, Harmony Bench, Simon Ellis |
| |
| Vol 10 (2019) |
IJSD Volume 10 2019 Screendance Now: Full Issue |
Abstract
PDF
|
|
Harmony Bench, Simon Ellis |
| |
| Vol 6 (2016) |
IJSD Volume 6 2016 Field Perceptions: Full Issue |
Abstract
PDF
|
|
Harmony Bench, Simon Ellis |
| |
| Vol 12 (2021) |
Notes on Pandemic-Era Screendance-making |
Abstract
PDF
|
|
Rebecca Salzer |
| |
| Vol 1 (2010) |
Toward a Definition of Moving-Picture Dance |
Abstract
PDF
|
|
Noël Carroll |
| |
| Vol 8 (2017) |
IJSD Volume 8 2017 Solo/Screen: Full Issue |
Abstract
PDF
|
|
Harmony Bench, Simon Ellis |
| |
| Vol 9 (2018) |
Choreographing “ChinAfrica” through Transnational Encounter |
Abstract
HTML
PDF
|
|
Jingqiu Guan |
| |
| Vol 12 (2021) |
A Forum of Questions for Active Viewing, Learning and Creating on Screen(s) During a Global Pandemic |
Abstract
PDF
|
|
Elisa Frasson, Marisa C. Hayes, Marco Longo, Ariadne Mikou, Katja Vaghi |
| |
| Vol 12 (2021) |
Extended Beings: Screendance as a Reflective and Interrogative Tool During Covid-19 |
Abstract
PDF
|
|
Sandhiya Kalyanasundaram |
| |
| Vol 9 (2018) |
Magic Mike, Dirty Dancing, and the (Empty) Promise of Heteromasculinity |
Abstract
HTML
PDF
|
|
Addie Tsai |
| |
| Vol 12 (2021) |
Screendance Festivals and Online Audiences |
Abstract
HTML
PDF
|
|
Harmony Bench, Gabri Christa, Yolanda M. Guadarrama, Cara Hagan, Kelly Hargraves, Marisa Hayes |
| |
| Vol 12 (2021) |
Together We Dance: A Community Dance & Film Project Using Zoom to Combat Social Isolation for Seniors During Covid-19 |
Abstract
PDF
|
|
Diane Busuttil |
| |
| Vol 9 (2018) |
Danced Out: When Passing For Almost Straight Is Not Enough |
Abstract
HTML
PDF
|
|
Mark Broomfield |
| |
| Vol 5 (2015) |
Being a Video-Choreographer: Describing the Multifaceted Role of a Choreographer Creating Screendance |
Abstract
HTML
PDF
|
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Heike Salzer, Ana Baer |
| |
| Vol 6 (2016) |
Unexamined assumptions: A Conversation between Arabella Stanger and Simon Ellis |
Abstract
HTML
PDF
|
|
Arabella Stanger, Simon Ellis |
| |
| Vol 12 (2021) |
"Double-tap, 'That Was Really Dope'": A Conversation on Breaking on Instagram with Tsiambwom Akuchu and Alexandra Harlig |
Abstract
PDF
|
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Tsiambwom Akuchu, Alexandra Harlig |
| |
| Vol 12 (2021) |
This is where we have danced for quite a while – A Viewpoint/Reflection on Social Media Dist(d)ancing |
Abstract
PDF
|
|
Elena Benthaus |
| |
| Vol 9 (2018) |
Narrative Shifts: Race, Culture, and the Production of Screendance |
Abstract
HTML
PDF
|
|
Marcus R White |
| |
| Vol 9 (2018) |
Curatorial Practices for Intersectional Programming |
Abstract
HTML
PDF
|
|
Cara Hagan |
| |
| Vol 6 (2016) |
Screendance Cannot be Everything: Defining the Form Ten Years after the (Hu)manifesto |
Abstract
HTML
PDF
|
|
Wyn Pottratz |
| |
| Vol 12 (2021) |
What Happens Next? |
Abstract
HTML
PDF
|
|
Omari 'Motion' Carter |
| |
| Vol 8 (2017) |
IJSD Volume 8 Editorial: Solo/Screen |
Abstract
HTML
PDF
|
|
Harmony Bench, Simon Ellis |
| |
| Vol 5 (2015) |
Editors’ note: On Community, Collaboration, and Difference |
Abstract
HTML
PDF
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Harmony Bench, Simon Ellis |
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