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| Issue |
Title |
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| Vol 2 (2012) |
IJSD Volume 2 2012 Scaffolding the Medium |
Abstract
PDF
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Claudia Kappenberg, Douglas Rosenberg |
| |
| Vol 7 (2016) |
IJSD Volume 7 2016 All This: Full Issue |
Abstract
PDF
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Claudia Kappenberg, Sarah Whatley, Harmony Bench, Simon Ellis |
| |
| Vol 8 (2017) |
IJSD Volume 8 2017 Solo/Screen: Full Issue |
Abstract
PDF
|
|
Harmony Bench, Simon Ellis |
| |
| Vol 10 (2019) |
IJSD Volume 10 2019 Screendance Now: Full Issue |
Abstract
PDF
|
|
Harmony Bench, Simon Ellis |
| |
| Vol 6 (2016) |
IJSD Volume 6 2016 Field Perceptions: Full Issue |
Abstract
PDF
|
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Harmony Bench, Simon Ellis |
| |
| Vol 1 (2010) |
Toward a Definition of Moving-Picture Dance |
Abstract
PDF
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Noël Carroll |
| |
| Vol 9 (2018) |
Choreographing “ChinAfrica” through Transnational Encounter |
Abstract
HTML
PDF
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Jingqiu Guan |
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| Vol 9 (2018) |
Magic Mike, Dirty Dancing, and the (Empty) Promise of Heteromasculinity |
Abstract
HTML
PDF
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Addie Tsai |
| |
| Vol 9 (2018) |
Danced Out: When Passing For Almost Straight Is Not Enough |
Abstract
HTML
PDF
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Mark Broomfield |
| |
| Vol 5 (2015) |
Being a Video-Choreographer: Describing the Multifaceted Role of a Choreographer Creating Screendance |
Abstract
HTML
PDF
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Heike Salzer, Ana Baer |
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| Vol 6 (2016) |
Unexamined assumptions: A Conversation between Arabella Stanger and Simon Ellis |
Abstract
HTML
PDF
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Arabella Stanger, Simon Ellis |
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| Vol 8 (2017) |
IJSD Volume 8 Editorial: Solo/Screen |
Abstract
HTML
PDF
|
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Harmony Bench, Simon Ellis |
| |
| Vol 9 (2018) |
Narrative Shifts: Race, Culture, and the Production of Screendance |
Abstract
HTML
PDF
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Marcus R White |
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| Vol 9 (2018) |
Curatorial Practices for Intersectional Programming |
Abstract
HTML
PDF
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Cara Hagan |
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| Vol 6 (2016) |
Screendance Cannot be Everything: Defining the Form Ten Years after the (Hu)manifesto |
Abstract
HTML
PDF
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Wyn Pottratz |
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| Vol 7 (2016) |
Within All This Can Happen: Artefact, Hypermediacy, and W. G. Sebald |
Abstract
HTML
PDF
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Jürgen Simpson |
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| Vol 9 (2018) |
Editorial: Screening the Skin: Issues of Race and Nation in Screendance |
Abstract
HTML
PDF
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Melissa Blanco Borelli, Raquel Monroe |
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| Vol 5 (2015) |
Editors’ note: On Community, Collaboration, and Difference |
Abstract
HTML
PDF
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Harmony Bench, Simon Ellis |
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| Vol 8 (2017) |
Art in Motion: Current Research in Screendance edited by Franck Boulégue and Marisa C. Hayes, Cambridge Scholars Publishing |
Abstract
HTML
PDF
|
|
Carol Breen |
| |
| Vol 10 (2019) |
Editorial: Screendance Now |
Abstract
HTML
PDF
|
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Harmony Bench, Simon Ellis |
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| Vol 6 (2016) |
Testing ground: evolving screendance practices and theories and the Leeds International Film Festival Screendance Competition |
Abstract
HTML
PDF
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Kyra Norman |
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| Vol 5 (2015) |
Audience as Community: Corporeal Knowledge and Empathetic Viewing |
Abstract
HTML
PDF
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Karen Wood |
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| Vol 10 (2019) |
Dance’s Duet with the Camera: Motion Pictures. Edited by Telory D. Arendell and Ruth Barnes. 2016. London: Palgrave MacMillan. 263 pp. Hardcover $99.99. ISBN 978-1-137-59609-3 |
Abstract
HTML
PDF
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|
Elisa Frasson |
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| Vol 6 (2016) |
What Are Screendance Competitions Even For? A Response to the 2015 Leeds International Film Festival Screendance Competition |
Abstract
HTML
PDF
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Hamish MacPherson |
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| Vol 9 (2018) |
Scratching the surface of spectacle: Black hypermasculinity and the Television Talent Show |
Abstract
HTML
PDF
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Laura Helen Carol Robinson |
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