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Issue |
Title |
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Vol 9 (2018) |
Intimate Visualities: Intimacy as Social Critique and Radical Possibility in Kyle Abraham and Carrie Schneider's Dance Response Project's I am Sold and Blood on the Leaves |
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Stephanie Leigh Batiste |
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Vol 5 (2015) |
Editors’ note: On Community, Collaboration, and Difference |
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Harmony Bench, Simon Ellis |
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Vol 5 (2015) |
Hovering on Screen: The WOW-Affect and Fan Communities of Affective Spectatorship on So You Think You Can Dance |
Abstract
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Elena Benthaus |
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Vol 5 (2015) |
Global Corporeality: Collaborative Choreography in Digital Space |
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Joséphine A. Garibaldi, Paul Zmolek |
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Vol 10 (2019) |
Reflecting on Light Moves Festival of Screendance 2018 |
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Katrina McPherson |
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