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| Issue |
Title |
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| Vol 12 (2021) |
Together We Dance: A Community Dance & Film Project Using Zoom to Combat Social Isolation for Seniors During Covid-19 |
Abstract
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Diane Busuttil |
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| Vol 12 (2021) |
Editorial: This Is Where We Dance Now |
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Harmony Bench, Alexandra Harlig |
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| Vol 7 (2016) |
Siobhan Davies and David Hinton in Conversation with Claudia Kappenberg, Part 2 |
Abstract
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Siobhan Davies, David Hinton, Claudia Kappenberg |
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| Vol 12 (2021) |
TikTok and Short-Form Screendance Before and After Covid |
Abstract
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Alexandra Harlig, Crystal Abidin, Trevor Boffone, Kelly Bowker, Colette Eloi, Pamela Krayenbuhl, Chuyun Oh |
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| Vol 6 (2016) |
IJSD Volume 6 2016 Field Perceptions: Full Issue |
Abstract
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Harmony Bench, Simon Ellis |
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| Vol 7 (2016) |
Siobhan Davies and David Hinton in Conversation with Claudia Kappenberg, Part 1 |
Abstract
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Siobhan Davies, David Hinton, Claudia Kappenberg |
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| Vol 12 (2021) |
What Happens Next? |
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Omari 'Motion' Carter |
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| Vol 12 (2021) |
Virtual Democracy: Online Ballet and Contemporary Dance Classes During the Covid-19 Crisis |
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Dara Milovanovic |
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| Vol 12 (2021) |
Movement as Medicine and Screendance as Survivance: Indigenous Reclamation and Innovation During Covid-19 |
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Kate Mattingly, Tria Blu Wakpa |
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| Vol 10 (2019) |
IJSD Volume 10 2019 Screendance Now: Full Issue |
Abstract
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Harmony Bench, Simon Ellis |
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| Vol 12 (2021) |
A Provocation for Screendance as a Secular Space |
Abstract
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Sumedha Bhattacharyya |
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| Vol 9 (2018) |
Magic Mike, Dirty Dancing, and the (Empty) Promise of Heteromasculinity |
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Addie Tsai |
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| Vol 12 (2021) |
Two-way Mirrors: Dancing in the Zoomosphere |
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Siobhan Murphy |
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| Vol 9 (2018) |
"Fresher Than You": Commercial Use of YouTube-Native Dance and Videographic Techniques |
Abstract
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Alexandra Harlig |
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| Vol 9 (2018) |
Danced Out: When Passing For Almost Straight Is Not Enough |
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Mark Broomfield |
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| Vol 12 (2021) |
TikTok, Friendship, and Sipping Tea, or How to Endure a Pandemic |
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Melissa Blanco Borelli, madison moore |
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| Vol 6 (2016) |
New Materials: Natural Elements and the Body in Screendance |
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Sylvie Michelle Vitaglione |
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| Vol 12 (2021) |
Reflection on Teaching Dance on YouTube: Negotiating Between Maintaining a Culturally Relevant Pedagogy and Participating in the Commercialized Realities of Teaching Dance Online |
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Maïko Le Lay |
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| Vol 9 (2018) |
Narrative Shifts: Race, Culture, and the Production of Screendance |
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Marcus R White |
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| Vol 6 (2016) |
Review: Moving Without A Body: Digital Philosophy and Choreographic Thoughts |
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Ariadne Mikou |
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| Vol 6 (2016) |
Screendance Cannot be Everything: Defining the Form Ten Years after the (Hu)manifesto |
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Wyn Pottratz |
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| Vol 12 (2021) |
Notes on Pandemic-Era Screendance-making |
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Rebecca Salzer |
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| Vol 12 (2021) |
Screendance in the Wake of Screened Dance: Moving Forward Through Interactive Video |
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Callum Anderson |
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| Vol 12 (2021) |
Screendance Festivals and Online Audiences |
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Harmony Bench, Gabri Christa, Yolanda M. Guadarrama, Cara Hagan, Kelly Hargraves, Marisa Hayes |
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| Vol 8 (2017) |
Visual Politics in American Dance Film: Representation and Disparity |
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Cara Hagan |
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