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| Issue |
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| Vol 7 (2016) |
Siobhan Davies and David Hinton in Conversation with Claudia Kappenberg, Part 2 |
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Siobhan Davies, David Hinton, Claudia Kappenberg |
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| Vol 6 (2016) |
IJSD Volume 6 2016 Field Perceptions: Full Issue |
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Harmony Bench, Simon Ellis |
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| Vol 7 (2016) |
Siobhan Davies and David Hinton in Conversation with Claudia Kappenberg, Part 1 |
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Siobhan Davies, David Hinton, Claudia Kappenberg |
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| Vol 10 (2019) |
IJSD Volume 10 2019 Screendance Now: Full Issue |
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Harmony Bench, Simon Ellis |
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| Vol 9 (2018) |
Magic Mike, Dirty Dancing, and the (Empty) Promise of Heteromasculinity |
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Addie Tsai |
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| Vol 9 (2018) |
"Fresher Than You": Commercial Use of YouTube-Native Dance and Videographic Techniques |
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Alexandra Harlig |
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| Vol 9 (2018) |
Danced Out: When Passing For Almost Straight Is Not Enough |
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Mark Broomfield |
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| Vol 6 (2016) |
New Materials: Natural Elements and the Body in Screendance |
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Sylvie Michelle Vitaglione |
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| Vol 9 (2018) |
Narrative Shifts: Race, Culture, and the Production of Screendance |
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Marcus R White |
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| Vol 6 (2016) |
Review: Moving Without A Body: Digital Philosophy and Choreographic Thoughts |
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Ariadne Mikou |
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| Vol 6 (2016) |
Screendance Cannot be Everything: Defining the Form Ten Years after the (Hu)manifesto |
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Wyn Pottratz |
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| Vol 8 (2017) |
Visual Politics in American Dance Film: Representation and Disparity |
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Cara Hagan |
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| Vol 9 (2018) |
Scratching the surface of spectacle: Black hypermasculinity and the Television Talent Show |
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Laura Helen Carol Robinson |
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| Vol 11 (2020): Expanded Screendance |
Animating the Real: Illusions, Musicality and the Live Dancing Body |
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Jo Read |
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| Vol 6 (2016) |
A Dance Between Chaos and Complexity: Choreographing the Spasm in Music Videos |
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Melissa Blanco Borelli |
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| Vol 8 (2017) |
Dance on Camera at 45 |
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Harmony Bench |
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| Vol 10 (2019) |
Consuming Dance: Choreography and Advertising by Colleen Dunagan. 2018. Oxford: Oxford University Press. 264 pp.48 screen stills. Paperback $29.95. Hardcover $99.00. ISBN: 9780190491376 |
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Xiomara Forbez |
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| Vol 7 (2016) |
Trauma and Dissociation in All This Can Happen |
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Ross Morin |
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| Vol 10 (2019) |
Digital Dance Criticism: Screens as Choreographic Apparatus |
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Kate Mattingly |
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| Vol 10 (2019) |
Red Shoes |
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Erin Brannigan |
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| Vol 10 (2019) |
Making Video Dance: A Step-by-Step Guide to Creating Dance for the Screen (2nd ed), by Katrina McPherson. 2018. London and New York: Routledge. 280 pp. Black and white images. $120 hardcover. ISBN 978-1-13-869912-0. $31.96 paperback. ISBN 978-1-13-869913-7. Website: www.makingvideodance.com. |
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Robin Gee |
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| Vol 5 (2015) |
Review: The Oxford Handbook of Dance and the Popular Screen, edited by Melissa Blanco Borelli |
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Hetty Blades |
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| Vol 10 (2019) |
Charles Atlas. Edited by Lauren Wittels. Contributions by Charles Atlas, with the assistance of Johanna Fateman, Stuart Comer, Douglas Crimp, Douglas Dunn, Lia Gangitano. 2015. Munich, New York: Prestel, 303 pp, chiefly color screen stills. $75 hardcover. ISBN: 9783791381008 |
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Kyle Bukhari |
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| Vol 7 (2016) |
Walking-Relations: On The Walk by Robert Walser and All This Can Happen by Siobhan Davies and David Hinton |
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Maren Butte |
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| Vol 5 (2015) |
Hovering on Screen: The WOW-Affect and Fan Communities of Affective Spectatorship on So You Think You Can Dance |
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Elena Benthaus |
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