| |
| Issue |
Title |
| |
| Vol 7 (2016) |
Siobhan Davies and David Hinton in Conversation with Claudia Kappenberg, Part 2 |
Abstract
HTML
PDF
|
|
Siobhan Davies, David Hinton, Claudia Kappenberg |
| |
| Vol 6 (2016) |
IJSD Volume 6 2016 Field Perceptions: Full Issue |
Abstract
PDF
|
|
Harmony Bench, Simon Ellis |
| |
| Vol 7 (2016) |
Siobhan Davies and David Hinton in Conversation with Claudia Kappenberg, Part 1 |
Abstract
HTML
PDF
|
|
Siobhan Davies, David Hinton, Claudia Kappenberg |
| |
| Vol 10 (2019) |
IJSD Volume 10 2019 Screendance Now: Full Issue |
Abstract
PDF
|
|
Harmony Bench, Simon Ellis |
| |
| Vol 9 (2018) |
Magic Mike, Dirty Dancing, and the (Empty) Promise of Heteromasculinity |
Abstract
HTML
PDF
|
|
Addie Tsai |
| |
| Vol 6 (2016) |
New Materials: Natural Elements and the Body in Screendance |
Abstract
HTML
PDF
|
|
Sylvie Michelle Vitaglione |
| |
| Vol 9 (2018) |
"Fresher Than You": Commercial Use of YouTube-Native Dance and Videographic Techniques |
Abstract
HTML
PDF
|
|
Alexandra Harlig |
| |
| Vol 9 (2018) |
Danced Out: When Passing For Almost Straight Is Not Enough |
Abstract
HTML
PDF
|
|
Mark Broomfield |
| |
| Vol 6 (2016) |
Screendance Cannot be Everything: Defining the Form Ten Years after the (Hu)manifesto |
Abstract
HTML
PDF
|
|
Wyn Pottratz |
| |
| Vol 9 (2018) |
Narrative Shifts: Race, Culture, and the Production of Screendance |
Abstract
HTML
PDF
|
|
Marcus R White |
| |
| Vol 6 (2016) |
Review: Moving Without A Body: Digital Philosophy and Choreographic Thoughts |
Abstract
HTML
PDF
|
|
Ariadne Mikou |
| |
| Vol 9 (2018) |
Scratching the surface of spectacle: Black hypermasculinity and the Television Talent Show |
Abstract
HTML
PDF
|
|
Laura Helen Carol Robinson |
| |
| Vol 11 (2020): Expanded Screendance |
Animating the Real: Illusions, Musicality and the Live Dancing Body |
Abstract
PDF
|
|
Jo Read |
| |
| Vol 6 (2016) |
A Dance Between Chaos and Complexity: Choreographing the Spasm in Music Videos |
Abstract
HTML
PDF
|
|
Melissa Blanco Borelli |
| |
| Vol 8 (2017) |
Dance on Camera at 45 |
Abstract
HTML
PDF
|
|
Harmony Bench |
| |
| Vol 8 (2017) |
Visual Politics in American Dance Film: Representation and Disparity |
Abstract
HTML
PDF
|
|
Cara Hagan |
| |
| Vol 10 (2019) |
Making Video Dance: A Step-by-Step Guide to Creating Dance for the Screen (2nd ed), by Katrina McPherson. 2018. London and New York: Routledge. 280 pp. Black and white images. $120 hardcover. ISBN 978-1-13-869912-0. $31.96 paperback. ISBN 978-1-13-869913-7. Website: www.makingvideodance.com. |
Abstract
HTML
PDF
|
|
Robin Gee |
| |
| Vol 5 (2015) |
Review: The Oxford Handbook of Dance and the Popular Screen, edited by Melissa Blanco Borelli |
Abstract
HTML
PDF
|
|
Hetty Blades |
| |
| Vol 10 (2019) |
Charles Atlas. Edited by Lauren Wittels. Contributions by Charles Atlas, with the assistance of Johanna Fateman, Stuart Comer, Douglas Crimp, Douglas Dunn, Lia Gangitano. 2015. Munich, New York: Prestel, 303 pp, chiefly color screen stills. $75 hardcover. ISBN: 9783791381008 |
Abstract
HTML
PDF
|
|
Kyle Bukhari |
| |
| Vol 7 (2016) |
Walking-Relations: On The Walk by Robert Walser and All This Can Happen by Siobhan Davies and David Hinton |
Abstract
HTML
PDF
|
|
Maren Butte |
| |
| Vol 5 (2015) |
Hovering on Screen: The WOW-Affect and Fan Communities of Affective Spectatorship on So You Think You Can Dance |
Abstract
HTML
PDF
|
|
Elena Benthaus |
| |
| Vol 10 (2019) |
Consuming Dance: Choreography and Advertising by Colleen Dunagan. 2018. Oxford: Oxford University Press. 264 pp.48 screen stills. Paperback $29.95. Hardcover $99.00. ISBN: 9780190491376 |
Abstract
HTML
PDF
|
|
Xiomara Forbez |
| |
| Vol 7 (2016) |
Trauma and Dissociation in All This Can Happen |
Abstract
HTML
PDF
|
|
Ross Morin |
| |
| Vol 10 (2019) |
Digital Dance Criticism: Screens as Choreographic Apparatus |
Abstract
HTML
PDF
|
|
Kate Mattingly |
| |
| Vol 10 (2019) |
Red Shoes |
Abstract
HTML
PDF
|
|
Erin Brannigan |
| |
| 1 - 25 of 26 Items |
1 2 > >> |
