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Issue |
Title |
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Vol 9 (2018) |
Intimate Visualities: Intimacy as Social Critique and Radical Possibility in Kyle Abraham and Carrie Schneider's Dance Response Project's I am Sold and Blood on the Leaves |
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Stephanie Leigh Batiste |
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Vol 9 (2018) |
Danced Out: When Passing For Almost Straight Is Not Enough |
Abstract
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Mark Broomfield |
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Vol 9 (2018) |
Curatorial Practices for Intersectional Programming |
Abstract
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Cara Hagan |
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Vol 9 (2018) |
Narrative Shifts: Race, Culture, and the Production of Screendance |
Abstract
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Marcus R White |
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Vol 8 (2017) |
Visual Politics in American Dance Film: Representation and Disparity |
Abstract
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Cara Hagan |
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Vol 9 (2018) |
Editorial: Screening the Skin: Issues of Race and Nation in Screendance |
Abstract
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Melissa Blanco Borelli, Raquel Monroe |
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Vol 9 (2018) |
IJSD Volume 9 2018 Screening the Skin: Issues of Race and Nation in Screendance Full Issue |
Abstract
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Melissa Blanco Borelli, Raquel Monroe, Harmony Bench, Simon Ellis |
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